papyrus

 

Present location RIJKSMUSEUM VAN OUDHEDEN [06/001] LEIDEN

Inventory number SR

Dating TUTANKHAMUN/NEBKHEPERURE (not before); RAMESSES I/MENPEHTYRE (not after)

Archaeological Site GIZA NECROPOLIS ?

Category PAPYRUS

Material PAPYRUS

Technique PAINTED; WRITTEN WITH A REED PEN/REED WITH SPLIT NIB

Bibliography

Leemans, C., Aegyptische Monumenten van het Nederlandse Museum van Oudheden te Leiden III.28, Leiden 1882, pl. I-XXVII.

Schneider, H. D. en M. J. Raven, De Egyptische Oudheid, Den Haag 1981, nr. 116.

Raven, M. J., De Dodencultus van het Oude Egypte, Amsterdam 1992, 36-38, nr. 11.

Raven, M. J., Mummies onder het mes, Amsterdam 1993, 53, afb. 1, 76.

Dijk, J., van, , in: Oudheidkundige Mededelingen uit het Rijksmuseum van Oudheden te Leiden (OMRO) 75, Leiden 1995, 7-12.

Schneider, H. D., De ontdekking van de Egyptische Kunst, Den Haag 1998, afb. 27.

http://www.globalegyptianmuseum.org/detail.aspx?id=14555

Tutankhamun on the Back of a Leopard

Tutankhamun on the Back of a Leopard

This statuette is one of a pair featuring King Tutankhamun on the back of a leopard. The king is shown standing with his left leg forward on a rectangular pedestal fixed to the back of the leopard.

He holds a long staff in one hand and the flail in the other. The king is wearing the White Crown of Upper Egypt with a cobra on his forehead and a large collar that covers his chest and shoulders and terminates with a row of drop beads.

A tight-fitting loincloth tied at the front and incised with fine lines covers his lower body. He is wearing sandals.

The exaggeration of the king's features shows the influence of the Amarna style of art.

Present location EGYPTIAN MUSEUM [01/001] CAIRO EM

Inventory number JE 60715

Dating TUTANKHAMUN/NEBKHEPERURE

Archaeological Site VALLEY OF THE KINGS

Category HUMAN FIGURINE; ANIMAL/HYBRID FIGURINE

Material GOLD; WOOD

Technique SCULPTURED; METAL-TECHNIQUE

Height 86.5 cm

http://www.globalegyptianmuseum.org/detail.aspx?id=14823

 

mastaba

http://gizamedia.rc.fas.harvard.edu/images/MFA-images/Giza/GizaImage/full/library/arnold_eg_art_pyrs_40-49.pdf

EGYPTIAN ART IN THE AGE OF THE PYRAMIDS

 

EGYPTIAN ART IN THE AGE OF THE PYRAMIDS

http://gizamedia.rc.fas.harvard.edu/images/MFA-images/Giza/GizaImage/full/library/arnold_eg_art_pyrs_40-49.pdf

PYRAMID STUDIES AND OTHER ESSAYS PRESENTED TO I. E. S. EDWARDS

 

PYRAMID STUDIES AND OTHER ESSAYS PRESENTED TO I. E. S. EDWARDS

http://gizamedia.rc.fas.harvard.edu/.../aldred_fs_edwards...

Shroud of Osiris

Shroud of Osiris

This fragment in linen cloth, which dates from the Roman Period, is the upper part of a large shroud representing the god Osiris mummiform. The oval face has two black eyes elongated by a cosmetic line and a large nose. On the cheeks two bandages descend which serve to fix the false beard. The body is wrapped in an envelope of netting in dark red and decorated black and blue. The god, who is dressed in the atef-crown, wears a wesekh-collar and a pectoral in the form of a naos. The face of Osiris is framed by two kneeling mourners; they are probably a representation of Isis and Nephthys. The shroud is also decorated with djed-pillars and small papyrus columns. This type of shroud, of which the iconography is certainly of pharaonic tradition, is rather rare.

FLAX

WOVEN

Painted

La pièce est un don du Vicomte Abbate de Favigna.

ROMAN PERIOD

M. Rassart-Debergh (Éd.), Arts tardifs et chrétiens d'Égypte (Exposition Louvain-la-Neuve ), Le Monde Copte 14-15 (1988) 34 nº 44

Égyptiennes. Étoffes coptes du Nil (Exposition), Mariemont 1997, 134 nº 3

Comparer le fragment de linceul conservé au Musée du Louvre (Inv. AF 12135; Portraits de l'Égypte romaine (Exposition), Paris 1998, 64-65 nº 22).

Material:

Technique: Lin peint

Tissu de fond: chaîne: lin écru S: 17-22/cm

trame: lin écru S: 10/cm

État de conservation:

La partie inférieure du linceul a disparu.

KMKG - MRAH

Inventory number E.5699

http://www.globalegyptianmuseum.org/record.aspx?id=840

 

sarcophagus of Kawab

Depict a

sarcophagus of Kawab, a royal prince of Egypt during the 4th dynasty in Egypte. It is placed in the Cairo Museum. Kawab was a son of Kheops

hall Temple Ramses II

Illustrations with two types of columns from the hall of the Ramses II Temple, drawn in 1849

Scan by NYPL - https://digitalcollections.nypl.org/.../510d47d9-5833...

Theben [Thebes]. Memnonia [Ramesseum]: Säulen aus der Halle des Tempels Ramses II.

 

Neskhons

 

G. Elliott Smith (1871-1937) - Catalogue General Antiquites Egyptiennes du Musee du Caire: The Royal Mummies. Le Caire: Imprimerie de L'institut Francais D'archeologie Orientale, 1912. Catalogue General Antiquites Egyptiennes du Musee du Caire, DT57.C2 vol 59, plate LXXXIV

Mummy of Neskhons, Chantress of Amun during the 21st dynasty, found in DB320.

Neskhons

Wooden tablet of Neskhons, wife of the High Priest of Amun Pinedjem II; the deceased is here depicted in front of Osiris. Painted wood, from Neskhons' tomb at Deir el-Bahari, 21st dynasty, Third Intermediate Period. Now in Petrie Museum, UC14226.

Ankhenesneferibre

 

A statue of the final Egyptian God's Wife of Amun at Thebes, Ankhenesneferibre, of the 26th Saite dynasty. She was the daughter of the 26th dynasty Saite pharaoh: Psamtik II. The statue is now located in the Nubian Museum of Aswan in southern Egypt. Its catalogue number was CG42205.

https://en.wikipedia.org/wiki/God%27s_Wife_of_Amun

Granodiorie Amenhotep

 Granodiorie Amenhotep (Right Statue) Northeast side, British Museum

Luxor Temple of Amenhotep III

 Luxor Temple of Amenhotep III

birds

Birds – Wall painting fragment from the Malkata palace, in the Metropolitan Museum of Art

Ceiling painting, palace of Amenhotep III, Malqata

 

Seqnenre-Taa II (c. 1574 B.C.)

 Seqnenre-Taa II (c. 1574 B.C.)

http://members.tripod.com/anubis4_2000/17A.htm#Seqnenre-Taa%20II

necklace

 

This large necklace comes from the excavations of W. F. Petrie at Abydos. It is composed of several rows of small beads in white, red, green, yellow and black glass, which are separated by short ivory sticks. The piece dates from the 18th Dynasty.

KMKG - MRAH

Inventory number E.0655

ABYDOS

NEW KINGDOM: 18TH DYNASTY

W. F. Petrie, Abydos, Londres 1904, III pl. VIII

F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 108

http://www.globalegyptianmuseum.org/record.aspx?id=154

Amada

 

The Temple of Amada in Nubia was one of the oldest Egyptian temples in Nubia. It was built and decorated by three New Kingdom pharaohs: Thutmose III, Amenhotep II and Thutmose IV respectively.

public domain

Funeral boat

 

Funeral boat. Middle kingdom of Egypt. Carved and painted wood. H. 80, W. 60 cm. Musée Georges-Labit. Inv. 82.1.1

public domain

Bastet

The goddess Bastet . Bronze statuette . Late Period, 665 - 330 BC. Musée Georges-Labit.

public domain

 

head of a priest

 

Head of a priest. Serpentine. Ancient Egypt. Musée Georges-Labit. Inv. 49.7

public domain

statuette

 

Statuette Ramesside

Dynasty: Dynasty 19–20

Date: ca. 1295–1070 B.C.

https://www.metmuseum.org/art/collection/search/550682

Cheops

Statuette des sitzenden Königs Cheops der 4. altägyptischen Dynastie (Höhe: 7,5 cm, Breite: 2,5 cm, Tiefe: 2,9 cm), gefunden 1903 in Abydos, ausgestellt im Ägyptischen Museum in Kairo, Ägypten

statuette woMAN

Statuette of a nude woman with moveable arms, one missing

Third Intermediate Period

This statuette of a woman is an ancient mechanical figure. Both of her arms were attached to an axle that runs between her shoulders; a string was wound around the axle, then ran through a channel in her body and left leg to emerge beneath the base under her feet, so that pulling the string caused the axle to turn and the arms to rise. Such figures, called automata, are known: the museum’s figure of a pygmy (34.1.130) was part of an ensemble of dancing pygmies that turned on a base by a string mechanism, and the mouth of the ivory dog (40.2.1) opens by a simpler lever system.

The figurine had been considered problematic, but a recent study has adduced strong technical evidence to support its antiquity, thus restoring it to a place in our displayed collection.

The study also endeavored to place the statuette in terms of style, suggested a reconstruction for the pose of its missing left arm, and posited an identity that the author saw as a clue to understanding a larger group of first millennium figures. Particularly the reconstruction of the figure’s pose and the idea of a single shared identity among the larger group must retain question marks.

Date: ca. 945-664 BC

https://www.metmuseum.org/art/collection/search/566713

 

libros

 

cat

 Cat eating a fish under a chair, mural in the tomb of Nakht copied by Norman de Garis Davies

public domain

HATSHEPSUT: LA PRIMOGENITA DEL DIOS AMON

HATSHEPSUT: LA PRIMOGENITA DEL DIOS AMON

BEGOÑA CASAL ARETXABALETA

La apasionante vida del faraón femenino Hatshepsut nos abre una puerta del conocimiento a la fascinante civilización egipcia, en el comienzo de su periodo más esplendoroso: la dinastía XVIII, que inauguró el floreciente Imperio Nuevo. Envuelta en las brumas de la Historia Antigua, la biografía de esta mujer nos lega escasa de datos, debido a la persecución que su memoria sufrió en lo momentos posteriores a su muerte. Siempre en controversia, el tema de la vida de esta reina, ejemplo de tenacidad, decisión, inteligencia, equilibrio, sagacidad y honradez, ha sido tratado por egiptólogos extranjeros con mayor o menor acierto, siendo esta la primera vez que se ofrece al público de habla castellana una obra escrita a la luz de las últimas investigaciones científicas. Para hacerla amena, esta obra se ha enriquecido con amplios datos de carácter general sobre el ambiente de intrigas palaciegas, salpicadas de las grandezas y limitaciones humanas, de amores y odios, que caracterizó el reinado de Hatshepsut. El presente trabajo, realizado de forma rigurosa, redactado en un lenguaje ameno y sencillo, hace posible que su contenido alcance e interese a todos los públicos. Uno de los mayores atractivos de la vida de esta mujer es la modernidad de su pensamiento y actuación, lo que la sitúa muy cercana a nuestra mentalidad abierta del siglo XX. Especial bibliográfico sobre el Antiguo Egipto

Editorial:

ALDERABAN

Idioma:

CASTELLANO

Encuadernación:

Tapa blanda

ISBN:

9788488676481

Año de edición:

2013

Plaza de edición:

ESPAÑ

 

La transición ontológica del sujeto ritual: una aproximación a la figura regia de Hatshepsut (c. 1473-1458 a. C.)

La transición ontológica del sujeto ritual: una aproximación a la figura regia de Hatshepsut (c. 1473-1458 a. C.)

• Autores: Virginia Laporta

https://dialnet.unirioja.es/servlet/articulo?codigo=4262083

 

necklace

 

Necklace made up of 35 olive-shaped beads formed from opaque multicoloured glass, with threads in the form of spirals.

Present location

INSTITUT DE PAPYROLOGIE ET D'ÉGYPTOLOGIE, UNIVERSITÉ DE LILLE III [02/049] LILLE

Inventory number

L 1101

Dating

MEROITIC PERIOD

Archaeological Site

AKSHA/SERRA WEST

Category

NECKLACE

Material

GLASS

Technique

PRESSED IN A FORM/MODEL

Bibliography

• Thill Florence, Nubie, les cultures antiques du Soudan, catalogue d'exposition, Lille, 1994, p.108, n°137.
• Vila André, "Le cimetière méroïtique", dans Aksha II, Paris, 1967, p.306-307, fig.57b.
• Gratien Brigitte, La Nubie au temps des pharaons, catalogue d'exposition, [Boulogne-sur-mer], 1975, p.27, n°304.

http://www.globalegyptianmuseum.org/detail.aspx?id=6258

lion

 

The lion played an important role in the imagination of the ancient Egyptians. Fear and awe for the animal demon influenced man's encounters with the animal. Reminders of this fear are amulets in the shape of lions. This small pottery lion is depicted reclining with its jaws slightly open. Lion amulets were used in the Late Period, for example, as protection against snake bites. Statuettes with bases also served as seals or as the decoration on finger rings.

GIZA NECROPOLIS

LATE PERIOD: 26TH DYNASTY

1837 von Col. Howard Vise bei Giza gefunden.

Geschenk Anton Gareis, 31.1.1899.

KUNSTHISTORISCHES MUSEUM

http://www.globalegyptianmuseum.org/record.aspx?id=5261

TT100 scene

This facsimile painting copies a detail from a scene of foreignors bringing offerings in the tomb of Rekhmire (TT 100) in western Thebes. This section of the scene depicts Syrians bringing a metal ingot and a chariot (31.6.34), horses (31.3.41), exotic animals (31.6.43), vessels and weapons (30.4.83).
Nina de garis Davos

web: met Museum

caballito

 caballito de vidrio azul. Tiene la cola recta.
Esta en una especia de base rota.
Periodo romano
uc22421
Petrie
digitalegypt

showing man on horse

Memphis: Terracotta UC 48503

Terracotta, showing man on horse. date: Persian Period (?)

http://www.digitalegypt.ucl.ac.uk/

 

libros

 

libros