HATSHEPSUT: LA PRIMOGENITA DEL DIOS AMON

HATSHEPSUT: LA PRIMOGENITA DEL DIOS AMON

BEGOÑA CASAL ARETXABALETA

La apasionante vida del faraón femenino Hatshepsut nos abre una puerta del conocimiento a la fascinante civilización egipcia, en el comienzo de su periodo más esplendoroso: la dinastía XVIII, que inauguró el floreciente Imperio Nuevo. Envuelta en las brumas de la Historia Antigua, la biografía de esta mujer nos lega escasa de datos, debido a la persecución que su memoria sufrió en lo momentos posteriores a su muerte. Siempre en controversia, el tema de la vida de esta reina, ejemplo de tenacidad, decisión, inteligencia, equilibrio, sagacidad y honradez, ha sido tratado por egiptólogos extranjeros con mayor o menor acierto, siendo esta la primera vez que se ofrece al público de habla castellana una obra escrita a la luz de las últimas investigaciones científicas. Para hacerla amena, esta obra se ha enriquecido con amplios datos de carácter general sobre el ambiente de intrigas palaciegas, salpicadas de las grandezas y limitaciones humanas, de amores y odios, que caracterizó el reinado de Hatshepsut. El presente trabajo, realizado de forma rigurosa, redactado en un lenguaje ameno y sencillo, hace posible que su contenido alcance e interese a todos los públicos. Uno de los mayores atractivos de la vida de esta mujer es la modernidad de su pensamiento y actuación, lo que la sitúa muy cercana a nuestra mentalidad abierta del siglo XX. Especial bibliográfico sobre el Antiguo Egipto

Editorial:

ALDERABAN

Idioma:

CASTELLANO

Encuadernación:

Tapa blanda

ISBN:

9788488676481

Año de edición:

2013

Plaza de edición:

ESPAÑ

 

La transición ontológica del sujeto ritual: una aproximación a la figura regia de Hatshepsut (c. 1473-1458 a. C.)

La transición ontológica del sujeto ritual: una aproximación a la figura regia de Hatshepsut (c. 1473-1458 a. C.)

• Autores: Virginia Laporta

https://dialnet.unirioja.es/servlet/articulo?codigo=4262083

 

necklace

 

Necklace made up of 35 olive-shaped beads formed from opaque multicoloured glass, with threads in the form of spirals.

Present location

INSTITUT DE PAPYROLOGIE ET D'ÉGYPTOLOGIE, UNIVERSITÉ DE LILLE III [02/049] LILLE

Inventory number

L 1101

Dating

MEROITIC PERIOD

Archaeological Site

AKSHA/SERRA WEST

Category

NECKLACE

Material

GLASS

Technique

PRESSED IN A FORM/MODEL

Bibliography

• Thill Florence, Nubie, les cultures antiques du Soudan, catalogue d'exposition, Lille, 1994, p.108, n°137.
• Vila André, "Le cimetière méroïtique", dans Aksha II, Paris, 1967, p.306-307, fig.57b.
• Gratien Brigitte, La Nubie au temps des pharaons, catalogue d'exposition, [Boulogne-sur-mer], 1975, p.27, n°304.

http://www.globalegyptianmuseum.org/detail.aspx?id=6258

lion

 

The lion played an important role in the imagination of the ancient Egyptians. Fear and awe for the animal demon influenced man's encounters with the animal. Reminders of this fear are amulets in the shape of lions. This small pottery lion is depicted reclining with its jaws slightly open. Lion amulets were used in the Late Period, for example, as protection against snake bites. Statuettes with bases also served as seals or as the decoration on finger rings.

GIZA NECROPOLIS

LATE PERIOD: 26TH DYNASTY

1837 von Col. Howard Vise bei Giza gefunden.

Geschenk Anton Gareis, 31.1.1899.

KUNSTHISTORISCHES MUSEUM

http://www.globalegyptianmuseum.org/record.aspx?id=5261

TT100 scene

This facsimile painting copies a detail from a scene of foreignors bringing offerings in the tomb of Rekhmire (TT 100) in western Thebes. This section of the scene depicts Syrians bringing a metal ingot and a chariot (31.6.34), horses (31.3.41), exotic animals (31.6.43), vessels and weapons (30.4.83).
Nina de garis Davos

web: met Museum

caballito

 caballito de vidrio azul. Tiene la cola recta.
Esta en una especia de base rota.
Periodo romano
uc22421
Petrie
digitalegypt

showing man on horse

Memphis: Terracotta UC 48503

Terracotta, showing man on horse. date: Persian Period (?)

http://www.digitalegypt.ucl.ac.uk/

 

libros

 

libros

 

Nefertiti

 

Nefertiti, Queen and Pharaoh of Egypt: Her Life and Afterlife (

Nefertiti's current world dominion as a cultural and artistic icon presents an interesting contrast with the way in which she was actively written out of history soon after her own death. This book explores what we can reconstruct of the life of the queen, tracing the way in which she and her image emerged in the wake of the first tentative decipherment of Egyptian hieroglyphs during the 1820s-1840s, and then took on the world over the next century and beyond. During the last half of the fourteenth century BC, Egypt was perhaps at the height of its prosperity. It was against this background that the 'Amarna Revolution' occurred. Throughout, its instigator, King Akhenaten, had at his side his Great Wife, Nefertiti. When a painted bust of the queen found at Amarna in 1912 was first revealed to the public in the 1920s, it soon became one of the great artistic icons of the world. Nefertiti's name and face are perhaps the best known of any royal woman of ancient Egypt and one of the best recognized figures of antiquity, but her image has come in many ways to overshadow the woman herself.

• ISBN-10 : 9774169905
• ISBN-13 : 978-9774169908
• Dimensiones : 19.05 x 1.91 x 23.5 cm
• Editorial : The American University in Cairo Press (10 octubre 2020)

  

  
  

Group of Ptah and Sakhmet

Group of Ptah and Sakhmet

The group represents the deities standing on a rectangular base. Ptah is mummyform, holding a was staff and a djed symbol. On his head there is a tightly fitting cap being his traditional attribute; his artificial beard is widening downwards. The eyebrows and cosmetic lines are long, continuing at the temples. Sakhmet is shown as a lioness-headed woman with her left foot advanced. She wears a long dress and holds an ankh sign in her right hand and a staff in the left hand; a sun-disc with an uraeus crowns her head.

Present location

STATE HERMITAGE MUSEUM [10/002] PETERSBURG

Inventory number

314

Dating

LATE PERIOD

Archaeological Site

UNKNOWN

Category

STATUE

Material

BASALT

Technique

HEWN; POLISHED

Height

58 cm

Bibliography

• Lapis I.A., Matthieu M.E., Drevneegipetskaya skul'ptura v sobranii Gosudarstvennogo Ermitazha. Moscow, 1969, p.109, cat.no.116, fig.72.

http://www.globalegyptianmuseum.org/detail.aspx?id=13350

 

Part of the base of a statue of Djesernetjeru

Part of the base of a statue of Djesernetjeru

Inscribed portion of the pedestal from a statue of a deity. This inscription has been cut at an unknown date from the corner of a statue of a god, one in a series created for the jubilee of king Amenhotep III in c.1360 BC. The god is named in the hieroglyphic inscription as Djesernetjeru, lord of the jubilee, an obscure deity whose principal role may have been only to protect one part of the jubilee rites.

Present location

NATIONAL MUSEUM OF IRELAND [30/002] DUBLIN

Inventory number

1896:19

Dating

AMENHOTEP III/AMENOPHIS III/NEBMAATRE

Archaeological Site

THEBES: EAST BANK ?

Category

PEDESTAL

Material

GRANITE

Technique

CARVED; INCISED

Height

31.5 cm

Width

16.5 cm

Depth

14 cm

Translation

Dual king Nebmaatra given life, beloved of Djesernetjeru lord of the sed-festival

http://www.globalegyptianmuseum.org/detail.aspx?id=1736

 

La entrada al inframundo

 

LA ENTRADA AL INFRAMUNDO. ESTELAS DE FALSA PUERTA EN EL ANTIGUO EGIPTO

Tito Vivas

La estela de falsa puerta o, sencillamente, la puerta falsa, es uno de los elementos más característicos de los más antiguos enterramientos que nos han llegado de los tiempos de los faraones: mágicas puertas que, convenientemente dispuestas en la tumba, comunicaban eL mundo de los muertos con el mundo de los vivos y daban acceso al espíritu del difunto al más allá que tanto ansiaban los antiguos egipcios. Sin embargo, hasta la fecha, no existía ninguna monografía publicada al respecto que abordara, de una manera sistemática, las estelas de falsa puerta: desde su descripción y análisis estético, hasta su significado dentro del concepto religioso egipcio, pasando por el análisis de los textos de sus fórmulas literarias o su distribución cronológica y geográfica por las necrópolis faraónicas. En una obra que aúna la más rigurosa metodología científica con una clara y fluida capacidad de divulgación, el autor expone novedosas teorías y descubrimientos fruto de una ardua labor de recopilación e investigación acerca de este elemento arquitectónico del mundo funerario del antiguo Egipto, que durante décadas se ha presupuesto comprendido, cuando la realidad era bien distinta.

Tapa blanda : 256 páginas

Peso del producto : 360 g

ISBN-13 : 978-8498274608

Editorial : Editorial Dilema; 1 edición (12 abril 2019)

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The Stela of Horemhat at Turin

 

The Stela of Horemhat at Turin

HELMUT SATZINGER – DANIJELA STEFANOVIC

https://homepage.univie.ac.at/helmut.../Texte/StelaTurin.pdf

The Debate Between a Man and His Soul:

The Debate Between a Man and His Soul: A Masterpiece of Ancient Egyptian ...

By James P. Allen

https://books.google.co.uk/books?id=SlW0CAAAQBAJ...

 

Painted jar

Painted jar

Short-necked open vase of marl clay with painted decoration of crossed bands over the upper half of the exterior. The form is an early 18th Dynasty development of a type known from the 2nd Intermediate Period in Upper Egypt.

Present location NATIONAL MUSEUM OF IRELAND [30/002] DUBLIN

Inventory number 1913:243

Dating 18TH DYNASTY

Archaeological Site ABYDOS

Category JAR

Material POTTERY

Technique FORMED ON THE POTTER'S WHEEL

Height 11.5 cm

Diameter 12 cm

http://www.globalegyptianmuseum.org/detail.aspx?id=1576

 

Stela of Harmachis (Hormakhet)

 

Stela of Harmachis (Hormakhet)

This round-topped stela with an empty upper field and a twelve-line inscription in careful hieroglyphic script was made for Hor-em-akhet, the "Chief Overseer of Craftsmen" and "Prophet" of the deified kings Ptolemy III, IV, and V. The text contains the titles of the man in an often heavily overstated manner or in flowery language. The individual signs have been spaced widely in an archaising manner and they have been executed with much care and rich interior detail in an attempt to copy examples from earlier times. Following the last line, an inscription in Demotic records the name and principal titles of the stela's owner, his father, grandfather, and mother. The purpose of the stela is unclear. It is not an ordinary mortuary inscription because the customary mention of the years of birth and death are missing, as are any wishes concerning the hereafter. We may assume that this stela was erected in association with other tomb stelae of the same man, so that the combination would provide the purpose of the text.

Present location KUNSTHISTORISCHES MUSEUM [09/001] VIENNA

Inventory number 125

Dating PTOLEMY V EPIPHANES

Archaeological Site UNKNOWN

Category STELA

Material LIMESTONE

Technique HEWN; CARVED; ENGRAVED

Height 88.3 cm

Width 36.5 cm

Depth 7 cm

Bibliography

Verzeichnis der antiken Sculpturenwerke, Inschriften und Mosaiken des K.k. Münz- und Antikencabinets im unteren K.k. Belvedere (1826) 24, Nr. 7.

Satzinger, H., Das Kunsthistorische Museum in Wien. Die Ägyptisch-Orientalische Sammlung. Zaberns Bildbände zur Archäologie 14. Mainz. 1994.

Katalog "Osiris, Kreuz und Halbmond", Stuttgart (1984), 161, Nr. 134.

http://www.globalegyptianmuseum.org/detail.aspx?id=4610

Stela Nesamun

Stela of Nesamun

A rectangular stela with a rounded top. The images and inscriptions have been carved in low relief. At the top is a winged sun's disk with a legend. Beneath this is an offering scene showing Osiris and Isis on the left and the stela's owner Nesamun on the right. In between the protagonists stands an offering table laden with gifts. The third register is taken up by an inscription.

Present location KUNSTHISTORISCHES MUSEUM [09/001] VIENNA

Inventory number 119

Dating 26TH DYNASTY ?

Archaeological Site UNKNOWN

Category STELA

Material LIMESTONE

Technique RELIEF

Height 64.7 cm

Width 34 cm

Depth 7.4 cm

Translation

An offering which the king gives to Osiris-Khontamenti, the great god, the Lord of Abydos, so that he will give a funerary offering of bread and beer, meat and poultry, incense, linen and unguent, wine, milk, and all good, pure and sweet things on which a god lives, to the Ka of the Imi-is, Heseku, the one who embraces the udjat-eye, the Royal Friend, the monthly priest of the fourth phyle Nesamun, the son of the equal-ranked Pa-di-aas, true of voice, the son of the equal-ranked Nesamun, son of the equal-ranked Ankh-paief-heri true of voice; born of the mistress of the house Nes-hathor.

Bibliography

Bergmann, E. von, Inschriftliche Denkmäler, in: Recueil de Travaux rélatifs à la philologie et à l'archéologie égyptiennes et assyriennes (RecTrav) 7 (1886) Nr. 23.

Bergmann, Übersicht (1876) 33, Nr. 45; 2(1878) 31, Nr. 45; 6(1886) 34, Nr. 45.

Munro, P., Die spätägyptischen Totenstelen, Ägyptologische Forschungen (ÄgFo) 25 (1973), 299-300.

Seipel, W. (ed.), Götter Menschen Pharaonen, Speyer (1993) = Dioses, Hombres, Faraones, Ciudad de México (1993) = Das Vermächtnis der Pharaonen, Zürich (1994) , Nr. 191.

http://www.globalegyptianmuseum.org/detail.aspx?id=4600

 

Amenemhat V

 

Statue of Sekhemkare Amenemhat V of Egypt's 13th dynasty in green slate from Elephantine. Upper part now in Vienna, Kunshistorisches Museum, 37, and lower part in Aswan, Aswan Museum, 1318

Estela funeraria egipcia de la dama Taeskheret

 

Estela funeraria egipcia de la dama Taeskheret, de madera recubierta de estuco y pintada. Está fechada entre 950 y 900 a.C. (Dinastía XXII, Tercer Periodo Intermedio), y procede probablemente de Tebas. Muestra dos ojos sagrados udyat (arriba, deteriorados), a las divinidades sincréticas Ra-Horakhty-Atum y Ptah-Sokaris (izquierda), y a Taeskheret (derecha).

The prophecies of Neferti

The prophecies of Neferti

http://egypt-grammar.rutgers.edu/TextPDF/Neferti1.pdf

 

Fertility figurine

 

Title: Fertility figurine

Period: Middle Kingdom

Dynasty: Dynasty 12, early

Date: ca. 1950–1885 B.C.

Geography: From Egypt, Memphite Region, Lisht South, tomb west of the tomb of Senwosretankh, Pit 3, Burial of Hepy, in front of blocking wall, MMA excavations, 1933–34

Medium: Faience, blue-green glaze

Dimensions: h. 13 cm (5 1/8 in)

Credit Line: Rogers Fund, 1934

Accession Number: 34.1.125

https://www.metmuseum.org/art/collection/search/546436

Bakery model

 

MODEL: BAKERY (MODEL)

This model of wood, which was found during the excavations of A. Gayet at Antinoopolis, depicts a standing man, a woman sitting before a chopping-block and a loaf which is found on the floor. It was probably part of a baking scene. The piece, which carries traces of stucco and paint, dates from the Middle Kingdom.

EL-SHEIKH `ABADA/ANTINOOPOLIS

PAINTED ON STUCCO

MIDDLE KINGDOM ?

J. Breasted, Egyptian Servant Statues, Washington 1948, 30 nº 6

Génie des hommes, âme de l'homme (Exposition), Huy 1998, 14, 41 nº 28

http://www.globalegyptianmuseum.org/record.aspx?id=178

Lieu de découverte:

Le modèle a été trouvé dans une tombe lors des fouilles de A. Gayet.

¿Dónde estaba el pene de Tutankhamón?

 

¿Dónde estaba el pene de Tutankhamón?

Por si no bastara con el misterio que ha suscitado la causa de su temprana muerte, el faraón niño mantuvo en vilo a los arqueólogos durante años por otro motivo, la pérdida de su órgano sexual.

Por si no bastara con el misterio que ha suscitado la causa de su temprana muerte, el faraón niño mantuvo en vilo a los arqueólogos durante años por otro motivo, la pérdida de su órgano sexual. Este había sido fotografiado por Harry Burton, en 1922, durante la excavación hecha en su tumba, pero cuando los científicos británicos del Ronald Harrison tomaron radiografías a la momia, en 1968, se dieron cuenta de que faltaba el falo real. No sería hallado hasta 2005, en el curso de una investigación de fotografías antiguas de la momia del faraón, que ocupó el trono egipcio con sólo 9 años, de 1333 a 1325 a.C. Allí estaba, entre la arena, junto a su cuerpo. Y es que al parecer, el miembro viril -al igual que las manos y los pies- había sido vendado por separado. El equipo que lo encontró señaló que el escroto estaba aplastado sobre el perineo, debido a la presión de las vendas.

http://www.muyhistoria.es/.../idonde-estaba-el-pene-de...

Squatting female figure

Squatting female figure

Female figurine in Greek style, showing a naked woman with legs splayed, and intricate hairdo, in the manner of Aphrodite, Greek goddess of love, from the city of Naukratis in the Western Delta. The city was a unique Greek colony installed with the permission of the Egyptian kings in the 26th Dynasty, to channel the trade between the Nile valley and the Aegean.

pottery

NAUKRATIS

Late period

From the division of finds excavated by the Egypt Exploration Fund at Naukratis. Given to the museum in 1911.

NATIONAL MUSEUM OF IRELAND

http://www.globalegyptianmuseum.org/record.aspx?id=2455